Joanna Gaitani on LinkedIn: #auferstehungssinfonie #mahler #resurrectionsymphony (2024)

Why did the real estate agent join the orchestra ?????Because she had the perfect key for every situation!#texasrealestate #cartersigantureproperties #dfwhomesforsale #realestatefun #jokes #CarterSignatureProperties

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Neuroscientist, engineer, pianist, composer. Imagine what more innovation and creation could happen if K12 schools valued all the arts as much as they do math, science, and reading!!#artseducation #musiceducation #danceeducation #yourbrainonart #brainbodyconnection

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Why did the real estate agent join the orchestra? ????Because she had the perfect key for every situation!#texasrealestate #cartersigantureproperties #texascoastalhomes #realestatefun #jokes #CarterSignatureProperties

Here's our review of the #SalzburgWindPhilharmonic's latest #Beethoven recording: The Symphony of Fate "is performed less dramatically than what one has become accustomed to. Despite the obvious absence of strings, the orchestra’s sound is clear, yet the symphony is fully complete. This in itself requires significant musical mastery, which Conductor Hansjörg Angerer displays as his recording demonstrates absolute fidelity to the composer’s vision...The recording of thePastoral Symphonyis equally true to Beethoven’s vision."https://lnkd.in/dex3egVS

James Newton Howard - Peter Pan (2003) OST - Main Titles .Here is a mockup of music composed by @james_newtonhoward .#orchestralmockup #orchestralmusic #JamesNewtonHoward #peterpan #orchestralcomposition #composer #composition #orchestra #orchestral #virtualinstruments #spitfireaudio #musicscoring

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For a change.

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Rhapsody In Blue Merrick Chamber OrchestraRichard Gilley Piano(No. 37 No. 38)Agitato mfMolto marcatoAnalysisThis section starts out at (No. 37) marked agitato, with the same melodic motif that was introduced the first time that the piano played at the beginning of the Rhapsody. This melody was also developed in the poco agitato section earlier. It consists of a 16th rest followed by three 16th notes and two eights. This familiar theme is used a different places throughout the Rhapsody, but in this section, it is developed with great speed and intensity, as it is actually a recap of the poco agitato section. At (No. 38) the music progresses with greater intensity and keeps building, and leads us to the molto marcato section which is six measures long. Molto means much or very, and Marcato means to perform with emphasis. Here, the orchestra plays a chromatic scale in contrary motion. Half of the orchestra ascends, while the other half of the orchestra descends chromatically. As the orchestra plays the chromatic scale with each note accented, as the scale continues it dramatically slows down to a final B-flat chord followed by a fermata before the last section of the Rhapsody.

Check out our new blog post, the Lansing Symphony Orchestra Presents Carmina Burana#newblogpost

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